Friday, August 6, 2004

Fantasy Land

(Leather Life column published in Lavender Magazine, Issue #240, August 6, 2004)

Fantasy is to the leather community what community theater is to the masses. A leather fantasy is a skit built around leather/BDSM themes and usually, but not always, performed as part of a leather contest. It is the leather community’s theater. I have seen some that were splendid, many that fell short of the mark, and more than a few that were utterly embarrassing. Generally, what made them embarrassing was that they were done with no regard for basic acting, stagecraft and storytelling practices.

My colleague, Robert Davolt, recently wrote an essay (Myth #48 in his “Myths & Mysteries of Leather” series) that was critical of the entire concept of fantasies. While I can’t argue with what he wrote (Argue with Robert Davolt? Are you kidding?), I submit that a little community education could go a long way toward raising the entertainment level of leather fantasies.

Prepare to be educated. Here are some helpful tips for those contemplating the presentation of a fantasy.

It’s theater. This is the time to dust off your high-school or college or community theater knowledge. You didn’t get the theater gene? Then get someone who’s theatrically literate to help you. You need to know at least the elementary rules of stagecraft to present a fantasy that works.

This time it’s all about you. Keep the focus on you, the contestant. I once saw a fantasy in which a gentleman was escorted to a barber’s chair, where his body disappeared under a barber’s cape and his face disappeared under lather. Then the barber exhibited his shaving, bondage and flogging skills. If I were judging I would have given the barber high marks—but it wasn’t his fantasy. The contestant was the invisible guy in the chair who didn’t really do anything. Moral: Keep the best lines for yourself.

Faces are more interesting than backs. There are few fantasies worse than five minutes of uninterrupted flogging during which nothing else happens. The only way to make a more deadly fantasy is to have both flogger and floggee keep their backs to the audience for the entire five minutes. If you must do a flogging fantasy, consider positioning yourself and your co-stars in such a way that the audience can see your faces and your facial expressions.

It’s supposed to be entertaining. Five minutes of unremitting flogging is not entertaining. Think of television—quick cuts for attention-span-challenged viewers. On stage it isn’t possible to be quite that manic, but one rule of thumb I’ve heard (thank you, J.D. Laufman) is this: Something—the music, the lighting, an entrance, an exit, a prop—should change every fifteen seconds.

Say it with music. Use music to support and enhance the fantasy’s action. Consider changing or varying the music throughout the fantasy rather than having one song or one droning rhythm track the whole time you’re onstage. And please, please be sure the soundtrack tape or CD is of good recording quality and has smooth edits and transitions between selections. If you don’t know how to make a good mix, find someone who does and let them help you.

Try not to say it with words. Microphones for spoken dialogue during fantasies can be a production headache, and voiceovers on the music tape or CD often turn to indecipherable mush. And what about those in the audience who are hearing-challenged or non-English-speakers? If no one can understand what is being said, the point of the fantasy can be lost. Consider instead telling the story without words. If you absolutely must use words, do the necessary planning and testing to make sure they will be understood. (See one contestant’s success story below.)

The biggest prop wins. I have seen it time and again—the elegant minimalist fantasy loses out to the ham-fisted one because the latter includes a 10-foot rope spider web, a 12-foot condom or a 15-foot gallows. (This is known in the trade as a “wow factor.”) But big props have to be designed, constructed and transported to the theater or bar where the fantasy is being performed. They cause all kinds of headaches for the contest production staff who have to move them onstage for the fantasy and offstage again afterward. Contestants who have to ship big props for long distances are at a disadvantage compared to contestants who are relatively close to where the contest is being held. Consider building props that look big but are lightweight, collapsible and portable.

Or consider using other “wow factors” like good storytelling and presentation. At this year’s Mr./Ms Olympus Leather Contest, contestant (and writer) Toni Pizanie’s fantasy consisted of standing on stage and reading a piece she had written—the story of how she came to be on that stage that evening. No big props, no throbbing music, nothing changing every fifteen seconds. Just words—but she was charming, spoke clearly and had a good story to tell. And she had that audience in the palm of her hand. (It helped that she also had a good sound system at her disposal.)

Use simple lighting. Find out what kind of stage lighting flexibility will be available—you may be limited to “on” or “off.” (If you’re lucky you’ll have a spotlight to work with.) The time to discover this information is while you’re planning your fantasy, not when you get to the theater or bar to present it.

The contest production staffers are your friends. Treat them nicely—their efforts are going to make you look good onstage (or not). Make their job as easy as possible, and your job will be easier, too.

Rehearse, rehearse, rehearse. Rehearse before you get to the venue and, if possible, rehearse on the stage where you will be performing the fantasy. Don’t think that not rehearsing will make the fantasy look “spontaneous”—not rehearsing will more than likely make it look amateurish.

Prepare for the unexpected. No lights? No sound? Missed entrance? The show must go on, so make contingency plans. This also applies to other people appearing in the fantasy who become ill, props that are lost in shipping, soundtrack tapes that are mysteriously erased—have understudies and alternative props available and carry duplicates of soundtrack tapes or CDs. If you ship props or costumes, plan ahead so that you ship them with plenty of time to spare.

It’s not a scene, it’s a fantasy. It’s not about you getting off onstage, it’s about you entertaining the audience (and, if you’re lucky, getting them off). Keep your priorities in perspective here.

Finally: Know what reaction you’re trying to inspire. International Ms Leather 1995 Pat Baillie once explained to me the effects a good fantasy can have on an audience: it can “make ’em hard” (or, based on gender, “wet”), “make ’em laugh, or make ’em think.” You get extra points for doing two of the above; come up with a fantasy that does all three and you stand a good chance of winning the category, if not the contest.

Friday, July 23, 2004

Leather Lens: Minnesota Leather Pride 2004

(Leather Life column published in Lavender Magazine, Issue #239, July 23, 2004)

With presentations spread over a ten-day period, this year’s Minnesota Leather Pride celebration was the most ambitious ever. Months of planning paid off with a series of well organized and well attended events. Here are a few scenes from the celebration.

Friday evening, June 18: The official kick-off to Minnesota Leather Pride 2004 was a trampling demonstration, featuring the trampling talents of Sharina Nicole and slave michael, at the Minneapolis Eagle. (Sharina and michael also gave a trampling workshop on Tuesday, June 22 during which this photo/these photos were taken.)

Saturday evening, June 19: A Floggapalooza, featuring four simultaneous flogging scenes, was held at the Minneapolis Eagle.

Sunday afternoon, June 20: It was Father’s Day, so it was appropriate that the ever-amazing Amanda Wildefyre, right, presented a “CBT for Daddy’s Day” workshop. (“CBT” stands for cock-and-ball torture.) To Amanda’s left is one of her two willing victims, David Coral (aka Jazz Thomas)—who, that afternoon, also learned how to mount and dismount a trapeze.

Tuesday evening, June 22: Trampling isn’t just for spike heels. Here, at the aforementioned trampling workshop, Mr. Minneapolis Eagle 2004 Carl Byrd tries trampling David Coral (aka Jazz Thomas).

Tuesday evening, June 22: David Coral (aka Jazz Thomas), who was having a busy week, presented a body-punching workshop using International Mr. Leather 2003 John Pendal as the punching bag. (Pendal later returned the favor.)

Sunday morning, June 27: A gentle rain did not stop the Ashley Rukes GLBT Pride Parade—or the 75-foot leather pride flag—from making its annual trek up Hennepin Avenue in Minneapolis.

Sunday morning, June 27: Cleo Dubois, left, and Fakir Musafar, right, are shown here watching the Ashley Rukes GLBT Pride parade. The duo had a busy week as presenters and participants in this year’s Minnesota Leather Pride. On Wednesday evening, June 23, they were part of a “Leather Spirituality” roundtable discussion at The Town House in St. Paul. On Thursday, June 24 they presented a workshop on “The Magic of Temporary Piercing” and followed it up with “Spirit+Flesh,” an all-day workshop/body ritual on Saturday, June 26

Sunday afternoon, June 27: This year Minnesota Leather Pride had an official booth, complete with cage, at the Pride Festival in Loring Park.

Friday, July 9, 2004

Life After the Leather Contest

(Leather Life column published in Lavender Magazine, Issue #238, July 9, 2004)

It happens every year about this time. There are over 50 contestants for the International Mr. Leather (IML) contest on Memorial Day weekend in Chicago. One of those contestants is chosen as the new IML. Many of the other contestants go home from the weekend asking themselves varying versions of the same questions: Why didn’t I win? What did I do wrong? What could I have done better? What could I do better next time?

Actually, these questions are part of the aftermath of every leather contest everywhere, all through the year. The person asking them could be either the winner of a local or regional contest who is considering what is necessary to get ready for the next level of competition, or one of the contestants who didn’t win.

There are many who are only too willing to step into the void created by these questions and dispense advice either to someone who has lost a leather contest or to someone who just won one and is advancing to the next level of competition. Usually the advice they dispense is on the order of “You’re perfect, now just change everything about yourself and you’ll be even more perfect.” They then proceed to tell the person to “go on a diet, change your hairstyle, buy all new leather, spend 60 hours a week at the gym, take steroids, get plastic surgery, and get rid of your partner because you’ll be more tempting if it’s known you are single, and therefore available.” Incredible as it may sound, I am not exaggerating here.

The point of leather contests is not to find a Henry Higgins top so that one can play an Eliza Doolittle bottom. A contest can be the occasion for “Extreme Leather Makeover,” but only if that’s what the contestant wants to do. On the other hand, I have known people (including myself) who have felt they wanted to make some more moderate changes, and entering a contest or winning a contest and advancing in competition was as good an excuse as any to make them. With motivation like that, there’s a good chance that positive changes will occur, and that the changes will last even after the competition is over.

If you absolutely insist on asking someone for a critique of your performance during a contest and suggestions for possible improvements—ask the judges. For two reasons, they are in the best position to give you realistic feedback about how you did: They’re the ones who scored you, and they were there during the whole contest including any private interviews. Anyone who was not a judge and was therefore not present during all segments of the contest can only guess at the thought processes the judges went through to arrive at their scores. Be aware that the judges aren’t obligated to provide this service, but if you ask nicely they may. Be grateful for any feedback they offer, and thank them for taking the time to offer it.

Instead of, or in addition to, asking someone else what improvements could be made to become a stronger competitor, I challenge people to spend some time looking back at their contest experience and think about questions like these: When during the contest weekend did I feel most comfortable? What during the weekend made me feel uncomfortable or unsure of myself? What do I think I did really well? What do I think I could have done better? Which of the other contestants impressed me—made me think to myself, “That was really good. I wish I could do that. I want what they have”?

Don’t just think about these questions—write them down, and then write down your answers to them. Those answers will point out to you both your strengths and the areas in which you want to improve. Take pride in your strengths, make plans for making the improvements you want to make, and then follow those plans.

Perhaps you know you will be advancing in competition, perhaps you’re just thinking about entering another contest sometime, or perhaps you’ll never compete again. It doesn’t matter—you can still benefit from the insight gained by the above exercise.

Now, about that issue of competing in the future: IML competitors have already won titles in other contests; now that the IML competition is over they can turn their attentions to serving their communities until it’s time for them to step aside and turn the title over to their successors.

But what about people who, although they have competed, have never won a contest and therefore have no title? Well, during your contest preparation you probably did some thinking about what you would do with a title if you won. Would you have volunteered for a cause you believe is important? Would you have raised money for charity, helped to plan leather events, started a leather-related web page? Whatever it might have been, you are hereby cordially invited to do it anyway.

If you want to, you can find ways to contribute to your community whether you have a title or not. Don’t wait for a title to supposedly confer legitimacy and credibility on your efforts—get involved now. Your community will be a better place, and you’ll feel good because you’re helping to make it that way.

As a bonus: if you compete in some future leather contest, anything you do now will certainly look good on your application. Or you might find, as did your humble columnist, that you become so involved in serving the community that you never get around to entering another contest.

Friday, June 25, 2004

Sex, Drugs and Hard Bodies: Tony Mills at the Saloon

(Article published in Lavender Magazine, Issue #237, June 25, 2004)

Dr. Tony Mills, a medical doctor treating patients living with HIV, is a long-term HIV survivor himself. He’s International Mr. Leather 1998 and a model for Colt Studios.

With credentials like that, it was no surprise that on Thursday, June 10, about 100 people packed the dance floor of The Saloon in Minneapolis to hear Dr. Mills discuss “Sex, Drugs and Hard Bodies.” A light dinner was served before Mills’ presentation.

Dr. Mills is Assistant Professor of Clinical Medicine at the UCLA School of Medicine and is also in private practice (<www.TonyMillsMD.com>). During his year as International Mr. Leather Dr. Mills was asked by HX, a magazine for gay men in New York City, to write an article on men’s health issues.

That led to his first men’s health presentation before an audience, which occurred at New York City’s Splash bar. Now, several years and many presentations later, Mills was in Minneapolis to deliver his take on the health issues concerning men today.

Mills started by talking about “Sex,” sharing with the audience the latest information on sexually-transmitted diseases including AIDS/HIV, gonorrhea, Chlamydia, syphilis and drug-resistant staph.

The next segment of Mills’ presentation, “Drugs,” dealt with ketamine (‘K” or “Special K”), GHB, crystal meth and other popular but problematic party substances. The “Hard Bodies” portion of the discussion dealt with the use of testosterone and anabolic steroids.

Other topics of discussion included poppers, erectile-dysfunction remedies such as Viagra/Levitra/Cialis, and the need for people living with HIV to be aware of cardiovascular and cardiopulmonary health issues.

Bill Burleson, representing the HIM Program of the Red Door Clinic, noted that Dr. Mills had given another presentation earlier in the day for health professionals. Burleson said he was impressed with Dr. Mills’ “client-centered” approach to AIDS/HIV and other health issues.

Another compliment for Dr. Mills came from medical student Mark Dunham: ‘I wish we had such good presentations in medical school.”

Also on hand for the evening were representatives of the organizations that made the presentation happen: pharmaceutical manufacturer Abbott Laboratories (which has also underwritten other talks by Dr. Mills) and area men’s health groups Project Positive (Clinic 42/Abbott-Northwestern Hospital), HIM Program (Red Door Clinic, Minneapolis), Pride Alive/Minnesota AIDS Project, Pillsbury House Communities, Minneapolis Urban League, Minnesota Soul Essence and the Minnesota Department of Health.

PHOTO: Dr. Tony Mills, right, with Kevin Sitter, a representative of Project Positive/Clinic 42, Abbott Northwestern Hospital.

Lambda Legal Publishes Little Black Book; What To Do If You’re Arrested While Cruising

(Article published in Lavender Magazine, Issue #237, June 25, 2004)

Spring is almost here. For some men, that means the outdoor cruising season will soon begin.

Unfortunately, whether outdoors or indoors, cruising for man-to-man sex in public or semi-public places carries with it the danger of police harassment.

Little Black Book, a new one-page publication by Lambda Legal, tells men who have sex with men what to do—and what not to do—if they are harassed or arrested while cruising.

The publication is part of a major national campaign by Lambda Legal to fight police harassment and other harms men face when cruising for sex.

Plans call for Little Black Book and its Spanish-language companion, El Librito Privado, to be distributed both in print and online through links on high-traffic websites catering to men who have sex with men.

According to Michael Adams, Director of Education and Public Affairs at Lambda Legal, “There have been many cases where police have entrapped men or intimidated them into giving up their rights.”

This happens in part because many gay men taken into police custody do not know their basic civil rights, and therefore allow them to be trampled upon by prosecutors or the police.

In some cases, according to Adams, police and local prosecutors inappropriately use laws, such as sodomy laws, that have been struck down and are no longer on the books.

Besides being a good primer on those basic civil rights, Little Black Book debunks many longstanding cruising myths.

For example, men who leave their driver’s license at home or in the car when they cruise might want to reconsider that habit. The publication notes that if you’re arrested, “Providing your ID (driver’s license, green card, passport) may decrease your chances of spending time in jail, especially if you don’t have a criminal record.”

Another example in Little Black Book might come as news to many men: “A cop doesn’t have to tell you he’s a cop, even if you ask.” Even if the undercover officer is hitting on you (rather than you unwittingly hitting on a cop), the publication notes that entrapment is difficult to prove.

Lambda Legal represented the plaintiffs in Lawrence and Garner v. Texas and scored a major victory when, as a result of that case, the U.S. Supreme Court struck down all laws banning consensual sex by adults in private, including oral and anal sex.

However, there are still many other laws on the books that can be used against men busted while cruising, such as laws against sex in public, laws against adultery or prostitution, or laws against criminal transmission of HIV.

The stakes can be high for men arrested while cruising. The publication notes that a conviction, or even simply being arrested, can result in a fine, jail time, forfeiting property, having to register as a “sex offender,” and can have consequences affecting military or immigration status, employment, licensing or child custody.

Many men panic when they are arrested. According to Little Black Book, that’s one of the biggest mistakes you can make. Other things to avoid are “trying to get it over with quickly by ‘confessing,’ trying to talk your way out of the problem, or trying to deal with the police on your own.”

Lambda Legal instead advises men who are arrested while cruising to remain calm and provide identification but to answer no questions without a lawyer. And not just any lawyer—”Your lawyer should be a criminal defense attorney, who understands the law and the courts where the arrest occurred.”

The full text of Little Black Book and El Librito Privado can be viewed and downloaded as a PDF file at Lambda Legal’s website (<www.lambdalegal.org>). The publication is being distributed to LGBT community centers, HIV/AIDS organizations that do safer sex programming, community-based health organizations and gay and lesbian national hotlines.

Plans call for banner ads linking to Little Black Book on the websites of various non-profit groups serving the LGBT and HIV communities. In addition, links to the publication will be placed on the home pages of high-traffic websites including Badpuppy, Cruising For Sex and Kinky Personals.

Yahoo groups that will post a link to Little Black Book on their homepages include Best Gay Sex Spots, Best Gay Sex Places, New York City PozQueers and Mano a Mano.

Lambda Legal is the oldest and largest non-profit legal organization devoted to advancing civil rights for lesbians, gay men, bisexuals, the transgendered and people with HIV or AIDS. Founded in 1973, the organization is headquartered in New York City and maintains four regional offices in Los Angeles, Chicago, Atlanta and Dallas.

Lambda Legal Offers Help Desk

One popular community service provided by Lambda Legal is a Help Desk. During certain hours Lambda Legal staff respond directly to callers seeking legal information and assistance with sexual orientation- and HIV/AIDS-related discrimination. The organization says it receives many Help Desk calls from men looking for legal assistance after being arrested or harassed by the police while cruising.

To the extent that the organization’s resources and priorities allow, Lambda Legal takes on legal representation of callers whose situations present significant litigation issues. For many others, Lambda Legal provides leads to other organizations and practical information that might help them address their problems.

Minnesotans can call the Help Desk at Lambda Legal’s Midwestern Regional Office in Chicago at 312-663-4413. Hours (Central Time, subject to change) are Tuesdays 1-3:30 P.M., Wednesdays 2-4:30 P.M. and Thursdays 10:30 A.M.-1 P.M.

Spanish Help Desk assistance is available Wednesdays 10 A.M.-noon by calling the South Central Regional Office in Dallas at 214-219-8585.

Lambda Legal says it greatly prefers to offer Help Desk assistance by telephone. If this is impossible, however, individuals can send an e-mail to <legalhelpdesk@lambdalegal.org>. It is very important to include in the e-mail the city and state where the incident occurred, so that the organization can refer to the laws of the correct jurisdiction.

Leather Lens: International Mr. Leather 2004

(Leather Life column published in Lavender Magazine, Issue #237, June 25, 2004)

Jason Hendrix of Washington, D.C., was chosen as the twenty-sixth International Mr. Leather (IML) on May 30 in Chicago. Here are pictures of some of the moments that made up this year’s IML weekend.

(These are photos of the new International Mr. Leather, Jason Hendrix, that you can outline and use as a graphic element , or possibly screen back and use as wallpaper.)

Thursday, 5/27, 10:06 P.M. Mr. Padlock Leather 2004 Rohno Geppert, from Phoenix, Ariz., draws his contestant number during the Thursday night opening ceremonies and contestant introduction. (He drew number 18).

Friday, 5/28, 3:28 P.M. The 2004 International Mr. Bootblack contest was another feature of IML weekend. Bootblack contestant Spanky, Mr. Mid Atlantic Bootblack from Washington, D.C., is shown practicing his craft.

Friday, 5/28, 4:06 P.M. Host hotel for this year’s IML weekend was the Hyatt Regency Chicago. This is the way the second-level lobby bar, “BIG,” looked all weekend. It’s the longest free-standing bar in North America. The bar’s motto also sums up many people’s IML experience: “Where bigger is better and more is more.”

Saturday, 5/29, 4:45 P.M. Some of the crowd at The Minnesota Party, held at Gentry on State Street. Left to right: Steve Brinduse, Jeffrey Winkler, Terry Cole, and Eric Pankratz.

Saturday, 5/29, 4:52 P.M. The Minnesota Party at the Gentry. Left to right: Chris Boudewyns, Mr. Mpls. Eagle 2004 Carl Byrd, Minneapolis Eagle owner Ed Hopkins, and Adam Johnson.

Saturday, 5/29, 9:41 P.M. Mr. Minneapolis Eagle 2004 Carl Byrd during Saturday night’s Pecs & Personality prejudging at the Hyatt.

Saturday, 5/29, 10:59 P.M. Mr. Minneapolis Eagle 2004 Carl Byrd during Saturday night’s Pecs & Personality prejudging at the Hyatt.

Saturday, 5/29, 9:12 P.M. Mr. Minneapolis Eagle 2004 Carl Byrd during Saturday night’s Pecs & Personality prejudging at the Hyatt.

Saturday, 5/29, 9:22 P.M. Contestants onstage during Saturday night’s Pecs & Personality prejudging. Left to right: Bavarian Mr. Leather Robert Hoepfner, Mr. Fetish Switzerland Thomas Schoch, Mr. Leatherman Toronto Remi Collette, German Mr. Leather Philipp Tanzer, Mr. Exile-Columbus (Ohio) Robert Dean Haas, Mr. Iowa Leather Robert Hawes, and Mr. Santa Clara County (Calif.) Leather Khol (partially shown at right).

Sunday, 5/30, 1:33 P.M. Former Minnesota resident Roger Gregg, now with Gotham Piercing, shows off some body jewelry at his booth in the Leather Market at the Hyatt. Gothan was one of approximately 120 vendors at this year’s Leather Market.

Sunday, 5/30, 6:29 P.M. All 56 contestants are onstage during the IML Contest Sunday night.

Sunday, 5/30, 10:36 P.M. Victory! Center, new International Mr. Leather Jason Hendrix flanked by, left, first runner-up Remi Collette and , right, second runner-up Thomas Schoch. Not shown is the new International Mr. Bootblack Alan Tunstall.

Sunday, 5/30, 10:36 P.M. Victory! Center (standing), new International Mr. Leather Jason Hendrix flanked by, left, first runner-up Remi Collette and , right, second runner-up Thomas Schoch. Kneeling in front is the new International Mr. Bootblack Alan Tunstall.

Monday, 5/31, 1:54 P.M. At the conclusion of the press conference, the new IML is surrounded by other competitors.

Friday, June 11, 2004

Minnesota Leather Pride 2004: United In Spirit

(Leather Life column published in Lavender Magazine, Issue #236, June 11, 2004)

“United In Spirit” is the motto of the Minnesota Leather Pride 2004 celebration, and the theme of leather/BDSM spirituality is woven through many of this year’s events.

This year Minnesota Leather Pride is spread over ten days, commencing on Friday, June 18 and climaxing on Sunday, June 27, which is also the final day of the Twin Cities GLBT Pride Celebration.

Scheduled to appear at Leather Pride events this year are noted local and national leather/BDSM activist/educators including Cleo Dubois and Fakir Musafar, bullwhip expert Robert Dante, dominatrix Amanda Wildefyre and, from London, International Mr. Leather 2003 John Pendal.

The many events being presented this year have required months of planning by the Minnesota Leather Pride planning committee. The committee includes members of various local leather/BDSM organizations as well as several independent community members. Official sponsors of this year’s Leather Pride events are Atons of Minneapolis, Knights of Leather, Minnesota Storm Patrol, MSDB, Shannon Blowtorch and Whipsters.

Minnesota Leather Pride is an all-volunteer, not-for-profit organization whose aim is primarily to cover the costs of presenting the Leather Pride events. In addition to admission charges at some events, Minnesota Leather Pride is supported by the sale of Leather Pride dog tags. The dog tags, a Minnesota Leather Pride tradition, look great on everybody and are eminently collectible. Besides, they entitle you to discounts on admissions to several of this year’s events and a 10% discount at Dreamhaven Books (904 W. Lake St., Minneapolis) during the month of June. Buy your dog tag at area businesses (see <www.mnleatherpride.org> for a list of participating sellers), at many Minnesota Leather Pride events, or at the Leather Pride booth in Loring Park during the Twin Cities GLBT Pride Celebration.

Several of this year’s Leather Pride events are included in the 2004 Minnesota Leather Pride Package, which includes the 2004 Minnesota Leather Pride dog tag and admission to three workshops and a ritual.

Priced at $45, the package represents a significant savings over the price of the events purchased individually. Also, space is limited at many of the events included in the package and only package-holders can be guaranteed admission. (The availability of tickets on an individual-event basis will be dependent on space available.) A limited number of packages will be sold. You can download a package order form at <www.mnleatherpride.org/tag_package.htm>.

Here’s the schedule of events for Minnesota Leather Pride 2004. Information is subject to change; visit <www.mnleatherpride.org> for additional information, updates and presenter biographies.

Trampling Demo (Atons Fetish Friday)
Friday, June 18, 10PM-Midnight, Minneapolis Eagle
This is the first official Leather Pride event (and a great place to buy your dog tag). Trampling is literally “walking all over someone”—and in a range of footwear, too. Sharina Nicole and Michael, the presenters, will also present a trampling workshop the following Tuesday (see below). No admission charge.

Floggapalooza
Saturday, June 19, 8-9PM, Minneapolis Eagle
A large-scale celebration of flogging (and another easy chance to buy your dog tag). No admission charge.

CBT for Daddy’s Day
Sunday, June 20, 2-4PM, Intermedia Arts (2822 Lyndale Ave. S., Minneapolis)
Learn all about the arts of CBT (cock and ball torture) from local dominatrix and performance artist Amanda Wildefyre. Admission is included in 2004 Leather Pride package or $7 at the door for non-package holders ($5 with dog tag).

Minneapolis Eagle Beer Bash
Sunday, June 20, 4-8PM, Minneapolis Eagle
Dog tags will be available as well as “all-u-can-swallow” beer.

A Smattering of BDSM Smorgasbord
Tuesday, June 22, 6:30-9:30PM, Patrick’s Cabaret (3010 Minnehaha Ave., Minneapolis)
An evening of three workshops: Singletail with noted singletail expert Robert Dante; Trampling with Sharina Nicole and Michael; and Punching/Breath Play with Jazz Thomas and International Mr. Leather 2003 John Pendal. Admission in included in package or $12 at the door for non-package holders if space is available ($10 with dog tag).

Spirituality Roundtable
Wednesday, June 23, 7-10PM, The Townhouse Bar (Blanche’s Cabaret), St. Paul
Join many of this year’s Leather Pride presenters and other community members in a roundtable discussion of the spiritual dimensions of leather/BDSM. Admission: free with dog tag (or purchase your dog tag at this event).

Workshop: The Magic of Temporary Piercing with Cleo Dubois and Fakir Musafar
Thursday, June 24, 6:30PM
An exciting three-hour program on temporary piercing (also called “play piercing” in the BDSM community). Origins, spiritual ramifications and rituals of other cultures involving temporary piercing will be explored, as well as techniques and safety considerations. Admission: included in package or $30 for individual event if space is available ($25 with dog tag). (See www.mnleatherpride.org for more details.)

Leather Pride Booth in Loring Park
Saturday, June 26 during Festival of Pride hours
Drop by the Leather Pride Committee’s booth at the Twin Cities GLBT Pride Celebration. The booth will be staffed by representatives of area leather/BDSM clubs and organizations. Community information will be available, and you can buy your dog tag if you haven’t already bought one. We’re easy to find—just look for the cage.

Spirit+Flesh: Ecstatic Rites Beyond Play Piercing with Cleo Dubois and Fakir Musafar
Saturday, June 26, 4-11PM for participants and dancers (8-10:30PM for witnesses)
Experience an exotic exploration of rites that move energy. Learn how piercing ceremonies in other cultures have been adapted to the contemporary BDSM world for consciousness shifting, vision questing, healing, and strengthening group connections. Workshop participants will receive preparatory instructions and exercises before being assisted by dancers in creating an intense group body ritual. Non-participants will witness and support the ritual. Witness admission is included in package or $30 for individual event if space is available ($25 with dog tag). See www.mnleatherpride.org for more details including participant and dancer admission costs.

Pride Parade Leather Contingent
Sunday, June 27, 10:30AM (parade steps off at 11AM), intersection of Hennepin and Washington Aves., Minneapolis
Come show your pride by helping to carry the 75-foot leather community flag in the Ashley Rukes GLBT Pride Parade. (Wear sunscreen and comfortable boots.)

Leather Pride in Loring Park
Sunday, June 27 during Festival of Pride hours
(See listing for Saturday, June 26)

In addition to these Minnesota Leather Pride events, leather types will be gathering during Pride Weekend at The Minneapolis Eagle for Scorch Fireball V. The beer tent will be open Friday and Saturday at 7PM ($5 admission). On Sunday the beer tent will open at 6PM ($10 admission) and will feature live music: local favorites All The Pretty Horses will be opening for Lola and the Red Hots. (You might know “Lola” as Tina of Tina and the B-Sides.)